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Feast of the Goat : ウィキペディア英語版
The Feast of the Goat

''The Feast of the Goat'' ((スペイン語:La fiesta del chivo), 2000) is a novel by the Peruvian Nobel Prize in Literature laureate Mario Vargas Llosa. The book is set in the Dominican Republic and portrays the assassination of Dominican dictator Rafael Trujillo, and its aftermath, from two distinct standpoints a generation apart: during and immediately after the assassination itself, in May 1961; and thirty five years later, in 1996. Throughout, there is also extensive reflection on the heyday of the dictatorship, in the 1950s, and its significance for the island and its inhabitants.
The novel follows three interwoven storylines. The first concerns a woman, Urania Cabral, who is back in the Dominican Republic, after a long absence, to visit her ailing father; she ends up recalling incidents from her youth and recounting a long-held secret to her aunt and cousins. The second story line focuses on the last day in Trujillo's life from the moment he wakes up onwards, and shows us the regime's inner circle, to which Urania's father once belonged. The third strand depicts Trujillo's assassins, many of whom had previously been government loyalists, as they wait for his car late that night; after the assassination, this story line shows us the assassins' persecution. Each aspect of the book's plot reveals a different viewpoint on the Dominican Republic's political and social environment, past and present.
Readers are shown the regime's downward spiral, Trujillo's assassination, and its aftermath through the eyes of insiders, conspirators, and a middle-aged woman looking back. The novel is therefore a kaleidoscopic portrait of dictatorial power, including its psychological effects, and its long-term impact. The novel's themes include the nature of power and corruption, and their relationship to machismo and sexual perversion in a rigidly hierarchical society with strongly gendered roles. Memory, and the process of remembering, is also an important theme, especially in Urania's narrative as she recalls her youth in the Dominican Republic. Her story (and the book as a whole) ends when she recounts the terrible events that led to her leaving the country at the age of 14. The book itself serves as a reminder of the atrocities of dictatorship, to ensure that the dangers of absolute power will be remembered by a new generation.
Vargas Llosa interlaces fictional elements and historical events: the book is not a documentary, and the Cabral family, for instance, is completely fictional. On the other hand, the characters of Trujillo and Trujillo's assassins are drawn from the historical record; Vargas Llosa weaves real historical incidents of brutality and oppression into these people's stories, to further illuminate the nature of the regime and the responses it provoked. In Vargas Llosa's words, "It's a novel, not a history book, so I took many, many liberties. (. . ) I have respected the basic facts, but I have changed and deformed many things in order to make the story more persuasive—and I have not exaggerated."〔Qtd. in 〕

''The Feast of the Goat'' received largely positive reviews, with several reviewers commenting on the book's depiction of the relationship between sexuality and power, and on the graphic descriptions of violent events.
A film version of the novel was released in 2005, starring Isabella Rossellini, Paul Freeman, and Tomas Milian. Jorge Alí Triana and his daughter Veronica Triana wrote a theatrical adaptation in 2003.
== Background ==
''The Feast of the Goat'' is only the second of Vargas Llosa's novels to be set outside Peru (the first being ''The War of the End of the World''). It is also unusual because it is the first to have a female protagonist: as critic Lynn Walford writes of the leading character in ''The Feast of the Goat'', and also Vargas Llosa's subsequent book ''The Way to Paradise'', "both are utterly unlike any of the other female characters in his previous novels".
The novel examines the dictatorial regime of Rafael Leónidas Trujillo Molina in the Dominican Republic. Trujillo was, in historian Eric Roorda's words, "a towering influence in Dominican and Caribbean history" who presided over "one of the most durable regimes of the twentieth century" during the thirty-one years between his seizure of power in 1930 and his assassination in 1961. Trujillo had trained with the United States Marine Corps during the United States occupation of the island, and graduated from the Haina Military Academy in 1921.〔 After the U.S. departed in 1924, he became head of the Dominican National Police which, under his command, was transformed into the Dominican National Army and Trujillo's personal "virtually autonomous power base".
Trujillo was officially dictator only from 1930 to 1938, and from 1942 to 1952, but remained in effective power throughout the entire period. Though his regime was broadly nationalist, Daniel Chirot comments that he had "no particular ideology" and that his economic and social policies were basically progressive.
The novel's title is taken from the popular Dominican merengue ''Mataron al chivo'' ("They Killed the Goat"), which refers to Trujillo's assassination on May 30, 1961. Merengue is a style of music created by Ñico Lora in the 1920s and actively promoted by Trujillo himself; it is now considered the country's national music. Cultural critics Julie Sellers and Stephen Ropp comment about this particular merengue that, by envisaging the dictator as an animal who could be turned into a stew (as frequently happened with goats struck down on the Dominican Republic's highways), the song "gave those performing, listening to and dancing to this merengue a sense of control over him and over themselves that they had not experienced for over three decades." Vargas Llosa quotes the lyrics to ''Mataron al chivo'' at the beginning of the novel.

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
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